- مجلس Majles / Sitting Room
- We Have The Cure
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A Lake Story
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Bathed in Strange Light
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la sombra que te cobija
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Second Shade
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Milestone Nerve
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To our reunited future
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Memories of the Mountain
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Shadow Games
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Spoiled Milk
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Every Beloved Object
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Prelude / Requiem
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Anoxic Memory
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Sutures
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Yesterday is Melting
Megan Kammerer (she/her) is a curator and writer from Toronto, Canada. She has held various positions with The Bentway, Visual Arts Centre of Clarington, Robert McLaughlin Gallery, Blackwood Gallery, and the Art Gallery of Guelph with particular focus on contemporary art, site-specific installation, and commissioned exhibition projects.
Bio
Megan Kammerer (she/her) is a curator and writer from Toronto, Canada whose practice centres on contemporary art, site-specific installation, and commissioned projects developed in close collaboration with artists.
From 2022–2024, Kammerer served as Curator at the Visual Arts Centre of Clarington, where she led the gallery’s artistic direction and secured funding for a series of exhibitions and new commissions. She developed and presented projects by Maria Simmons, Rah Eleh, Adam Basanta, Studio Pararaum, Rihab Essayh, and Kosisochukwu Nnebe, among others. Her exhibitions received three provincial award shortlists, including an Exhibition of the Year win from Galeries Ontario / Ontario Galleries in 2023.
From 2024–2026, Kammerer worked as a Programming Associate at The Bentway, contributing to large-scale public art commissions from concept through realization. Select projects include Edra Soto’s La sombra que te cobija, Melissa McGill’s A Lake Story, Mary Mattingly’s Second Shade, Paul Ramírez Jonas’ Public Trust, and the launch of The Bentway’s inaugural Step-Up Series with Anahita Akhavan’s مجلس Majles / Sitting Room.
Kammerer has held curatorial positions with the Robert McLaughlin Gallery, Blackwood Gallery, and the Art Gallery of Guelph, contributing to critical exhibitions across Southern Ontario. She has presented research at the University of Toronto and the Jackman Humanities Institute, and delivered guest lectures at Durham College and Fleming College. Her writing has appeared through Xpace Cultural Centre and the Visual Arts Centre of Clarington.
In Fall 2026, she begins graduate studies at the Center for Curatorial Studies, Bard College.
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